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Burney Relief : ウィキペディア英語版
Burney Relief

The Burney Relief (also known as the Queen of the Night relief) is a Mesopotamian terracotta plaque in high relief of the Isin-Larsa- or Old-Babylonian period, depicting a winged, nude, goddess-like figure with bird's talons, flanked by owls, and perched upon two lions. The relief is displayed in the British Museum in London, which has dated it between 1800 and 1750 BCE. It originates from southern Iraq, but the exact find-site is unknown. Apart from its distinctive iconography, the piece is noted for its high relief and relatively large size, which suggests that it was used as a cult relief, which makes it a very rare survival from the period. However, whether it represents Lilitu, Inanna/Ishtar, or Ereshkigal, is under debate. The authenticity of the object has been questioned from its first appearance in the 1930s, but opinion has generally moved in its favour over the subsequent decades.
==Provenance==
Initially in the possession of a Syrian dealer, who may have acquired the plaque in southern Iraq in 1924, the relief was deposited at the British Museum in London and analysed by Dr. H.J. Plenderleith in 1933. However the Museum declined to purchase it in 1935, whereupon the plaque passed to the London antique dealer Sidney Burney; it subsequently became known as the "Burney Relief".〔Frankfort 1937.〕 The relief was first brought to public attention with a full-page reproduction in ''The Illustrated London News'', in 1936.〔Davis 1936.〕 From Burney, it passed to the collection of Norman Colville, after whose death it was acquired at auction by the Japanese collector Goro Sakamoto. British authorities, however, denied him an export license. The piece was loaned to the British Museum for display between 1980 and 1991, and in 2003 the relief was purchased by the Museum for the sum of £1,500,000 as part of its 250th anniversary celebrations. The Museum also renamed the plaque the "Queen of the Night Relief".〔Collon 2003.〕 Since then, the object has toured museums around Britain.
Unfortunately its original provenance remains unknown. The relief was not archaeologically excavated, and thus we have no further information where it came from, or in which context it was discovered. An interpretation of the relief thus relies on stylistic comparisons with other objects for which the date and place of origin has been established, on an analysis of the iconography, and on the interpretation of textual sources from Mesopotamian mythology and religion.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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